Architecture In Valencia Spain
The ancient winding streets of the Barrio del Carmen contain buildings dating to Roman and Arabic times. The Cathedral, built between the 13th and 15th century, is primarily of Gothic style but contains elements of Baroque and Romanesque architecture. Beside the Cathedral is the Gothic Basilica of the Virgin (Basílica De La Virgen De Los Desamparados). The 15th century Serrano and Quart towers are part of what was once the wall surrounding the city.
UNESCO has recognised the Late Gothic silk exchange (La Lonja de la Seda) as a World Heritage Site.
World-renowned (and city-born) architect Santiago Calatrava produced the futuristic City of Arts and Sciences (Ciutat de les Arts i les Ciències), which contains an opera house/performing arts centre, a science museum, an IMAX cinema/planetarium, an oceanographic park and other structures such as a long covered walkway and restaurants.
The Cathedral of ValenciaThe cathedral was called in the early days of the Reconquista Iglesia Mayor, then Seo and in virtue of the papal concession of 16 October, 1866, it is called the Basilica metropolitana. It is situated in the centre of the ancient Roman city where some believe the temple of Diana stood. The Moorish mosque, which had been converted into a Christian church by the conqueror, appeared unworthy of the title of the cathedral of Valencia, and in 1262 Bishop Andrés de Albalat laid the cornerstone of the new Gothic building, with three naves; these reach only to the choir of the present building. Bishop Vidal de Blanes built the magnificent chapter hall, and Jaime de Aragón added the tower, called "Miguelete" because it was blessed on St. Michael's day in 1418, which is about 166 feet (51 m) high and finished at the top with a belfry.
In the fifteenth century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the over-ornate style of that decadent period. At the beginning of the eighteenth century the German Conrad Rudolphus built the façade of the main entrance.
In 1409, a hospital was founded and placed under the patronage of Santa María de los Inocentes; to this was attached a confraternity devoted to recovering the bodies of the unfriended dead in the city and within a radius of three miles (5 km) around it. At the end of the fifteenth century this confraternity separated from the hospital, and continued its work under the name of "Cofradia para el ámparo de los desamparados". King Philip IV of Spain and the Duke of Arcos suggested the building of the new chapel, and in 1647 the Viceroy, Conde de Orpesa, who had been preserved from the bubonic plague, insisted on carrying out their project.
The ancient winding streets of the Barrio del Carmen contain buildings dating to Roman and Arabic times. The Cathedral, built between the 13th and 15th century, is primarily of Gothic style but contains elements of Baroque and Romanesque architecture. Beside the Cathedral is the Gothic Basilica of the Virgin (Basílica De La Virgen De Los Desamparados). The 15th century Serrano and Quart towers are part of what was once the wall surrounding the city.UNESCO has recognised the Late Gothic silk exchange (La Lonja de la Seda) as a World Heritage Site.
World-renowned (and city-born) architect Santiago Calatrava produced the futuristic City of Arts and Sciences (Ciutat de les Arts i les Ciències), which contains an opera house/performing arts centre, a science museum, an IMAX cinema/planetarium, an oceanographic park and other structures such as a long covered walkway and restaurants.
The Cathedral of ValenciaThe cathedral was called in the early days of the Reconquista Iglesia Mayor, then Seo and in virtue of the papal concession of 16 October, 1866, it is called the Basilica metropolitana. It is situated in the centre of the ancient Roman city where some believe the temple of Diana stood. The Moorish mosque, which had been converted into a Christian church by the conqueror, appeared unworthy of the title of the cathedral of Valencia, and in 1262 Bishop Andrés de Albalat laid the cornerstone of the new Gothic building, with three naves; these reach only to the choir of the present building. Bishop Vidal de Blanes built the magnificent chapter hall, and Jaime de Aragón added the tower, called "Miguelete" because it was blessed on St. Michael's day in 1418, which is about 166 feet (51 m) high and finished at the top with a belfry.
In the fifteenth century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the over-ornate style of that decadent period. At the beginning of the eighteenth century the German Conrad Rudolphus built the façade of the main entrance.
In 1409, a hospital was founded and placed under the patronage of Santa María de los Inocentes; to this was attached a confraternity devoted to recovering the bodies of the unfriended dead in the city and within a radius of three miles (5 km) around it. At the end of the fifteenth century this confraternity separated from the hospital, and continued its work under the name of "Cofradia para el ámparo de los desamparados". King Philip IV of Spain and the Duke of Arcos suggested the building of the new chapel, and in 1647 the Viceroy, Conde de Orpesa, who had been preserved from the bubonic plague, insisted on carrying out their project.